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	<title>Xanthe Dobbie</title>
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	<pubDate>Sun, 18 Feb 2024 08:00:14 +0000</pubDate>
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		<title>Desktop</title>
				
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		<pubDate>Thu, 01 Jul 2021 04:20:38 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

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&#38;nbsp; XANTHE DOBBIE 

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		<title>CONTACT + CV</title>
				
		<link>https://xanthedobbie.com/CONTACT-CV</link>

		<pubDate>Thu, 19 Sep 2013 02:27:29 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

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Contact: xanthe.dobbie@gmail.com

Xanthe Dobbie is an Australian artist and filmmaker based in Naarm, Melbourne. Working across on- and offline modes of making, their practice aims to capture the experience of contemporaneity as reflected through queer and feminist ideologies. Drawing on humour, pop, sex, history and iconography, they develop shrines to a post-truth era.


	
	&#60;img width="151" height="192" width_o="151" height_o="192" data-src="https://freight.cargo.site/t/original/i/1ebef7960dec6d6986ee74cbec7593589fc8cb43719220692974a893ac69d69b/dancing-baby.gif" data-mid="113250073" border="0"  src="https://freight.cargo.site/w/151/i/1ebef7960dec6d6986ee74cbec7593589fc8cb43719220692974a893ac69d69b/dancing-baby.gif" /&#62;
	


Education:2025 &#124; PhD (School of Design), RMIT University, Melbourne VIC2019 &#124; Master of Arts Screen (Film Editing), Australian Film Television and Radio School (AFTRS), Sydney NSW2013 &#124; Bachelor of Fine Art (Honours), RMIT University, Melbourne VIC2012 &#124; Bachelor of Fine Art (Drawing), RMIT University, Melbourne VIC

Selected Exhibitions:2026 &#124; Queer Reckoning, Curated by Josephine Mead, Gasworks, Albert Park VIC2025 &#124; Distraction, Curated by Bern Hall, Science Gallery, Melbourne VIC
2025 &#124; In The Air, Curated by Jessica Clark, The Substation, Newport VIC
2024 &#124; Future Sex/Love Sounds, Curated by Brie Trennery, Video Space, MARS Gallery, Windsor VIC
2024 &#124; Cloud_Copy, Hacking Visual Culture Conference, UTS Data Arena, Ultimo NSW2024 &#124; Shape Shifters: A Retrospective of Australian Collage, Curated by Angie Cass, Wollongong Art&#38;nbsp;Gallery, Wollongong NSW 
2024 &#124; Queer Objectification, Curated by James Makin Advisory, ANZ Gallery, Melbourne VIC2024 &#124; TMI, Curated by Josephine Skinner, Cement Fondu, Paddington NSW
2024 &#124; Image, Interrupted, Curated by Eleanor Zeichner, UTS Gallery, Ultimo NSW

2023 &#124; Steamed Hams, Curated by Chelsea Nichols, The Dowse Art Museum, Lower Hutt, New Zealand
2023 &#124; EIDOLON, Curated by Brie Trennery, Video Space, MARS Gallery, Windsor VIC2023 &#124; Substation Art Sale, Fundraising Exhbition, Substation, Newport VIC
2023 &#124; Incinerator Art Award, Prize Exhibition, Incinerator Gallery, Aberfeldie VIC

2023 &#124; Matrix Re-Loaded, Solo Exhibition, RMIT First Site Gallery, Melbourne VIC2023 &#124; Playroom, Group Show curated by Dae Knight&#38;nbsp;and&#38;nbsp;Zoë&#38;nbsp;Sydney, BLINDSDIE, Melbourne VIC
2023 &#124; Cloud Copy, Solo Exhibition, Lismore Regional Gallery, Lismore NSW2022 &#124; The Long Now, Commission for Gallery 5 (online), ACMI, Melbourne VIC2022 &#124; Viral Bodies, Curated by Ian Sinclair, The Bearded Tit, Sydney NSW
2022 &#124; Risographomania, Perc Tucker Regional Gallery, Townsville QLD2021 &#124; Don’t Be Evil, Curated by Anna Briers, UQ Art Museum, Brisbane
2021 &#124; EIDOLON, Commissioned for Shortwave (Online), Sydney Opera House, Sydney NSW2021 &#124; Illuminating and Ultimate Gray, AR Project Commissioned by City of Parramatta, Parrammata Lanes NSW
2021 &#124; Real Things, Commissioned for CADS #3: Queer Desires (Online), Curated by Vilde M. Horvei &#38;amp; Ilavenil Vasuky Jayapalan, Munch Museum, Oslo Norway2021 &#124; The Multiverse, Curated by Charlotte Christie, Bundoora Homestead, Bundoora VIC2020 &#124; Conflict in My Outlook_We Met Online, Curated by Anna Briers (Online), UQ Art Museum, Brisbane QLD2020 &#124; PLEASUREDOME, or, A vision in a Dream. A Fragment. Performed online for interactive livestream, created with Harriet Gillies in collaboration with Marcus Whale and Solomon Thomas, Griffin Theatre Company, Sydney NSW2020 &#124; A Network of Gestures, Curated by Mary Louise Carbone (Online), GPG Project Spaces, Melbourne VIC2020 &#124; For Your Pleasure, Curated by ellen.gif &#38;amp; mck3nz, TikTok Exhibition (Online), Sydney NSW2020 &#124; Desktop Holiday, Curated by Claire Anna Watson (Online), NETS Victoria Touring Program, Mornington Peninsula Gallery, Mornington VIC2020 &#124; Double Adapter, Curated by Louise Meuwissen, MARS Gallery, NGV Melbourne Design Week, Melbourne VIC2019 &#124; Potential Space, Curated by Kathleen Linn and Sarah Hibbs, Kennards Self Storage Ultimo, Sydney NSW2019 &#124; Finding Cntrl, 'Living Coral', online interactive publication for Nesta, London UK2019 &#124; Widgets and Doohickies from a Camp toolbox, Curated by Dr Alison Bennet &#38;amp; Dr Ray Cook, RMIT Project Space, Melbourne VIC2019 &#124; ARTBAR February 2019, Curated by Lara Merrett, Contribution to Claire Field's FavourEconomy, MCA, Sydney NSW2019 &#124; Black Box Experiment, Performance experiment with QueerTech.io, Testing Grounds, Melbourne VIC2018 &#124; Yeah/Nah, curated by Miranda Jill Millen, No Vacancy Gallery, Melbourne VIC2018 &#124; Artivisms Now, curated by Brigid Hansen, La Trobe Art Institute, Bendigo VIC2018 &#124; Black Box Experiment, WebGL Installation for QueerTech.io, Testing Grounds and Online for Experimenta Social, Melbourne VIC2018 &#124; B-Side, BLINDSIDE ARI, Melbourne VIC2018 &#124; 2Q18, curated by The Wandering Room, Testing Grounds, Melbourne VIC2018 &#124; QUEERTECH.IO = ART (IRV, URL), RMIT Project Space - Spare Room Gallery, Melbourne VIC2017 &#124; Desktop Holiday, The Ferry Gallery, Bangkok Thailand2017 &#124; BSIDE, BLINDSIDE ARI, Melbourne VIC2017 &#124; our selves, Curated by Frances Fleetwood, Ctrl+Shift Collective, Oakland CA USA2017 &#124; Undergarments, Curated by ellen.gif and Andriana Carney, 107 Projects, Sydney NSW2017 &#124; Another Space, Curated by Yandell Wanton for The Centre of Projection Art, Testing Grounds, Melbourne VIC2017 &#124; Femmosphere, Curated by Coral Short, Schwules Museum, Berlin Germany2017 &#124; The Act of Showing, Testing Grounds, Melbourne VIC2017 &#124; Deep Trash: Royal Trash, CUNTemporary, London GB2017 &#124; Ecosex, Altes Finanzamt, Neukölln, Berlin Germany2017 &#124; Summer '40, Rubicon ARI, Melbourne VIC2017 &#124; QueerTech.io, BLINDSIDE's PLAY2, Federation Square Big Screen, Melbourne VIC2016 &#124; One Million Views, collaboration with Tiyan Baker, Next Wave Festival, North Melbourne VIC2016 &#124; Arts House Summertime Party, Arts House, North Melbourne VIC2016 &#124; Heaps Xmasy Carpark Party, Heaps Gay, Sydney NSW2016 &#124; Bedroom Suckers, Besser Space, Collingwood VIC2015 &#124; Xanthe Dobbie for Grey Gardens, Grey Gardens, Fitzroy VIC2015 &#124; One Night Stand 2015, Coalesce ARI, Melbourne VIC2014 &#124; Heavenly Bodies: Altered Pieces, John Buckley Gallery, Windsor VIC2014 &#124; Curtain Call: The Rough End of the Pineapple, BLINDSIDE ARI, Melbourne VIC2014 &#124; Play Me, Project Q.U.A.D, Southgate Cinema, Melbourne VIC2014 &#124; Future Strategies, Project Space, RMIT University, Carlton VIC2014 &#124; Launch, Brunswick Arts Space, Brunswick VIC2013 &#124; Oh, The Spectacular Stupidity Of It All, Kings ARI, Melbourne VIC2013 &#124; Close to 200; RMIT Honours Graduate Exhibition, RMIT University VIC2013 &#124; Repeat Offender, Bayside Arts Centre, Bayside VIC2012 &#124; Drawing, Painting, Media Arts; Expanded Studio Practice Graduate Exhibition, RMIT University, Melbourne VIC


Expanded Theatre &#38;amp; Performance:2024 &#124; Flat Earthers The Musical, Video Design, Book &#38;amp; Lyrics Jean Tong&#38;nbsp;&#38;amp;&#38;nbsp;Lou&#38;nbsp;Wal, Songwriting Lou&#38;nbsp;Wall&#38;nbsp;&#38;amp;&#38;nbsp;James&#38;nbsp;Gales, DPresented by&#38;nbsp;Hayes&#38;nbsp;Theatre&#38;nbsp;Co&#38;nbsp;and&#38;nbsp;Griffin&#38;nbsp;Theatre&#38;nbsp;Company, Sydney NSW
2023 &#124; Queer Powerpoint Ft. Jack Halberstam, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, in partnership with The Power Institute and Gender and&#38;nbsp;Cultural&#38;nbsp;Studies&#38;nbsp;at&#38;nbsp;the&#38;nbsp;University&#38;nbsp;of&#38;nbsp;Sydney, Seymour Centre, Sydney NSW
2023 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, WA Museum Boola Bardip, Perth WA2023 &#124; Q-Point, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, presented with Homopleasure for Trans Pride Taiwan, Grey Area, Taipei Taiwan
2023 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, Now or Never Festival, Melbourne VIC2023 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, RISING Festival, Melbourne VIC
2023 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, Sydney World Pride, UTS, Sydney NSW2023 &#124; Feminazi, Video Design, Written by Laneikka Denne, Directed by Danielle Maas, Belvoire 25A, Sydney NSW

2022 &#124; Eugene, Video Design an Creative Collaboration, Co-Created by Eliza Scott and Danielle Micich, Force Majeure &#38;amp; NIDA, Sydney NSW2022 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, WA Museum Boola Bardip, Perth WA2022 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, Pleasures Playhouse, Sydney NSW2022 &#124; RISING, Digtial Interactive Design and Mentorship on ‘8/8/8’ by Harriet Gillies &#38;amp; Marcus McKenzie, Schoolhouse Studios, Melbourne VIC2022 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, Sydney Biennale: Rīvus, MCA, Sydney NSW2022 &#124; Queerstories, Presenter, Murwillumbah NSW2021 &#124; Queer Powerpoint, Host and Presenter, Co-Created with Harriet Gillies &#38;amp; Thom Smyth, 107 Projects, Sydney NSW2021 &#124; Sydney Festival, ‘PLEASUREDOME’ performed online for interactive livestream, created with Harriet Gillies in collaboration with Marcus Whale and Solomon Thomas, Griffin Theatre Company, Sydney NSW2020 &#124; ‘Club Blue’ Live Desktop Performance for Club.Art, Melboure Fringe, Melbourne VIC2019 &#124; The Power of The Holy Spirit, Multi-Media Design for Harriet Gillies, Melbourne Fringe, Melbourne VIC



Festival Installations:2021 &#124; Brunswick Music Festival, commissioned site-specific projection ‘Polyptych of Becoming’, Brunswick Mechanics Institute, Brunswick VIC2019 &#124; Midsumma Festival, QueerTech.io, IRL/URL exhibition, Melbourne VIC2018 &#124; Midsumma Festival QueerTech.io, IRL/URL exhibition, launched at Midsumma Carnival, Melbourne VIC2017 &#124; Channels Festival Autofiction, Substation, Newport VIC2017 &#124; GLOW Festival, Curated by the Centre for Projection Art, City of Stonnington, Prahran VIC2017 &#124;  For Films Sake, One Million Views at FFS Festival, Sydney NSW2017 &#124; Queeriot, Selection of QueerTech works for Festival, Graz Austria 2017 &#124; Sydney Gay and Lesbian Mardi Gras, QueerTech.io Installation, Heaps Gay, Sydney NSW2017 &#124; MELT Festival, QueerTech.io Installation Brisbane Powerhouse, Brisbane QLD2017 &#124; Midsumma Festival, QueerTech.io Installation, Testing Grounds, Melbourne VIC2016 &#124; Paradise Music Festival, Lake Mountain Alpine Resort, Marysville VIC2016 &#124; Emerging Writers Festival 2016, Lifted Brow Art Show, Melbourne VIC2016 &#124; MMW16: Heaps Gay Heaps Yummy, Melbourne Music Week, State Library of Victoria, Melbourne VIC2015 &#124; Channels Festival, Proxemics, Online Exhbition, Melbourne VIC2014 &#124; Next Wave 2014, Reality Codes, Next Wave Festival Club, Melbourne VIC2013 &#124; Gertrude Street Projection Festival, Kansas Anymore, GSPF Hub, Fitzroy VIC
 
Curatorial Projects:2023 &#124; Runway Journal: GHOST, Edition 46, Guest Editor, digital journal, Sydney NSW2023 &#124; Conflict of Interest,&#38;nbsp;Co-Curated with Sidney McMahon, Artbank, Sydney NSW
2023 &#124; Queer PowerPoint, Co-Curated and Co-Founded with Harriet Gillies &#38;amp; Thom Smyth (since 2021), 107 Projects, MCA, Pleasures Playhouss, WA Museum Boola Bardip, Perth WA, RISING Festival2019 &#124; QueerTech.io, IRL URL exhibition curated with Dr Alison Bennet, Dr Travis Cox &#38;amp; J. Rosenbaum in partnership with Midsumma, ACMI &#38;amp; Testing Grounds, Melbourne VIC2018 &#124; New Intimacies, New Works from EO Gill and Sandrine Deumier, BLINDSIDE Satellite, Federation Square, Melb; Bunjil Place, Narre Warren; Harmony Square, Dandenong; Liverpool, Syd.2018 &#124; QueerTech.io, IRL URL exhibition curated with Dr Alison Bennet &#38;amp; Dr Travis Cox in partnership with Midsumma, ACMI, RMIT &#38;amp; Testing Grounds, Melnourne VIC2017 &#124; QueerTech.io, curated with Dr Alison Bennet, Dr Travis Cox, and Mark Payne, Midsumma (VIC), BLINDSIDE PLAY2, MELT (QLD), Mardi Gras (NSW)2016 &#124; Bedroom Suckers, curator, Besser Space, Collingwood VIC2016 &#124; Debut XII, co-curator, BLINDSIDE ARI, Melbourne VIC2015 &#124; Screen Series: Displaced Agency, co-curator, BLINDSIDE ARI, Melbourne VIC2015 &#124; Debut XI, co-curator, BLINDSIDE ARI, Melbourne VIC2014 &#124; BLINDSIDE Festival; Meet the Public, co-curator, BLINDSIDE ARI, Melbourne VIC2014 &#124; Screen Series: Autonomy, co-curator, BLINDSIDE ARI, Melbourne VIC2014 &#124; Debut X, co-curator, BLINDSIDE ARI, Melbourne VIC

Teaching, Workshops &#38;amp; Mentorship:2023 &#124; Eco-Visionaries, Art History Subject, Tutor, RMIT University School of Art (Art History), Melbourne VIC
2023 &#124; Principles of Play 2, Video Game Theory Subject, Tutor, RMIT University School of Design (Games), Melbourne VIC2023 &#124; Digital Bleed; Experimental Screen Practice, Studio Subject, Lead Teacher, RMIT University School of Design (Digital Media), Melbourne VIC
2023 &#124; Fine Art Honours, Honours Program Supervision, RMIT University School of Art, Melbourne VIC2023 &#124; Fine Art Video &#38;amp; Sound, First Year Studio Subject, Teacher, RMIT University School of Art, Melbourne VIC
2022 &#124; Glitch: Interuption, Disturbance &#38;amp; Malfunction, Workshop Subject, Lead Teacher, Writer of All Subject Content, RMIT University School of Art, Melbourne VIC
2022 &#124; Artist Mentor, Centre for Projection Art, Collingwood, Melbourne VIC
 2022 &#124; Exegetical Writing &#38;amp; Online Research Methodology, Guest Lecturer, multiple lectures 2020 - 22, Australian Film Television &#38;amp; Radio School (AFTRS), Sydney NSW2019 &#124; QueerTech.io Youth Workshop: Creating Internet Art, Key Artist/ Facilitator, presented in partnership with Midsumma Festival and ACMI, Melbourne VIC2018 &#124; QueerTech 360: VR &#38;amp; 360 Worshop, Lead Artist, presented in partnership with SIGNAL &#38;amp; Queer Space Youth, Melbourne VIC2017 &#124; Artist Mentor, SIGNAL Screen Commissions, SIGNAL (City of Melbourne), Melbourne VIC

Panels and Talks:
2025 &#124; Artists, Machines, and the Space Between, Opening Guest Speaker, Science Gallery, Melbourne VIC2025 &#124; Opening Night: CTRL + SHIFT, Guest Speaker and Q&#38;amp;A, Monash University, Caufield VIC2025 &#124; In the air – Artist Panel and Performances,&#38;nbsp;Panellist / participating artist,&#38;nbsp;Substation, Newport VIC
2023 &#124; ART + FILM: Xanthe Dobbie &#38;amp; V Barratt, Presentation, Screening and Live interview with V Barratt, ACMI, Melbourne VIC2023 &#124; Artificial Intelligence in Creative Industries and Practice, Panelist with Kathryn Gledhill-Tucker, Dr. Nina Rajcic, Benjamin Duff, and James Purtill, Australia Council for the Arts (online)
2022 &#124; Art, AI and Digital Ethics, Panelist with Vanessa Bartlet, Sean Dockray, Katrina Sluis, ANAT Spectra: Multiplicity, University of Melbourne, Melbourne VIC2021 &#124; Google Is My Primary Partner, Spotlight Talk, Digital Intimacies #7 Symposium, University of Queensland, Brisbane QLD2021 &#124; The Queer Lens, Panelist with Wesley Dowling, Liam Power &#38;amp; Drew Pettifer, Bunjil Place in partnership with Melbourne Media Lab, Narre Warren VIC2020 &#124; Talking Digital Art, Desktop Presenter, VCR Fest (Online), Melbourne Fringe Festival, Melbourne VIC2020 &#124; PHOTO LIVE: QueerTechIO and Rosa Menkman, Presenter with QueerTech.io (Online), PHOTO 2021 Extended Program, Melbourne VIC2019 &#124; Experimental Video within the Gallery, Presenter, as part of Adobe Presents: The Big Picture Filmmaker Development Program for St Kilda Film Festival 2019, St Kilda VIC2019 &#124; Dancing Queens: Queer Potentials, panelist, Simona Castricum, Mama Alto and Xanthe Dobbie in conversation with Alison Bennett, Dancehouse, Melbourne VIC2018 &#124; Humour, Queer Bodies &#38;amp; Pop Culture, Panelist, With Dr Quinn Eades &#38;amp; Brigid Hansen, La Trobe Art Institute, Bendigo VIC2018 &#124; The View From NYC: Digital Futures and Emerging Cultures, Curated Guest Speaker, With Kelani Nichols &#38;amp; Kelli Alred, ACMI, Melbourne VIC2018 &#124; Human Rights Arts &#38;amp; Film Festival, Curated Guest Speaker - Digital Collage: The Future is Now, ACMI, Melbourne VIC2018 &#124; ACMI Art + Film: QueerTech.io, Panelist, ACMI, Melbourne VIC2018 &#124; Midsumma Australia Post Art Prize, Artist Talk, No Vacancy Q.V. Melbourne VIC2018 &#124; Queer Some Space - Art and Literature, Panelist, Curated by Kate McKenzie, Chaired by Annabel Brady-Brown with Adolfo Aranjuez, Mossy 333 &#38;amp; Nayuka Gorrie, event by The Lifted Brow and Monash XYXY Lab, MPavilion, Melbourne VIC2017 &#124; Queer Identities: Resistance and Assimilation, Panellist, Chaired by Drew Pettifer with Alex Cuffe and Léuli Eshraghi, Bus Projects, Collingwood VIC2017 &#124; Contemporary Art, Feminism and the Internet, Panellist, Curated by Women in the Arts for Vivid Ideas, MCA, Sydney NSW2017 &#124; Experimenta Social #9, Curated Guest Speaker, ACMI X, Melbourne VIC2017 &#124; OpenLAB Artist Talks, Curated Guest Speaker, ACMI X, Melbourne VIC2016 &#124; Screen Futures, International Summit, Curated Guest, Lecture Presenter, RMIT University, Melbourne VIC2016 &#124; Youth Media Festival, International Education Summit, Curated Guest, Workshop Presenter, ACMI, Melbourne VIC2016 &#124; One Million Views Walking Tour, Presenter, Next Wave Festival, Melbourne VIC2016 &#124; One Million Views: How to Go Viral Workshop, Coordinator, Next Wave Festival, Arts House, Melbourne VIC2015 &#124; Experimental Video Art panel, Gertrude Street Projection Festival, Fitzroy VIC2015 &#124; Xanthe Dobbie in Conversation with Jessie Scott, Artist Talk, Grey Gardens Projects, Fitzroy VIC
 

Arts Administration &#38;amp; Management
2026 &#124; Queer PowerPoint, Co-Curated and Co-Founded with Harriet Gillies &#38;amp; Thom Smyth (since 2021)2024 &#124; Judge, Midsumma Australia Post Art Prize
2023 &#124; Assessor, RMIT First Site Gallery&#38;nbsp;2021 &#124; Founding Member (since 2016), Collective and Curatorium, QueerTech.IO
 2019 &#124; Peer Assessor, City of Melbourne, Visual Arts Grants2018 &#124; Board of Artistic Directors (since 2016), BLINDSIDE ARI2018 &#124; Peer Assessor, City of Melbourne, Visual Arts Grants2018 &#124; Front of House and Social Media Coordinator, Curatorial Assistant, IT and AV Officer, Installation Tech, Videographer (since 2016), Australian Tapestry Workshop2017 &#124; Board of Directors (since 2013), Social Media Coordinator (2013-2017), Vice Chair (2016), Secretary (2013), BLINDSIDE ARI2012 &#124; Education Coordinator, BLINDSIDE ARI, Melbourne2012 &#124; Head of Management Committee, 2012 Student Fine Art Graduate Exhibition, RMIT University


Prizes:2023 &#124; Incinerator Art Award, Winner, The Long Now, Incinerator Gallery, Aberfeldie VIC
2022 &#124; Wollunbin Art Award, Highly Commended, The Long Now, Tweed Regional Gallery, Tweed NSW2022 &#124; Digital Art Prize, Winner (Second Prize), Eidolon, Goolugatup Heathcote WA 2021 &#124; Woollahra Digital Literary Award, Finalist, Eidolon shortlisted for Digital Innovation Award, Woollahra NSW2019 &#124; Melbourne Fringe Festival, Winner of Best Experimental Show for Harriet Gillies 'The Power of The Holy Spirit', Melbourne VIC2018 &#124; Midsumma Australia Post Art Prize, Winner of People's Choice, No Vacancy, Q.V. Melbourne VIC2016 &#124; John Fries Award, Finalist, UNSW Galleries at UNSW Art &#38;amp; Design, Sydney NSW2014 &#124; Macquarie Digital Portraiture Award, Finalist, National Portrait Gallery, Canberra ACT2014 &#124; RMIT Honours Travelling Scholarship, Winner, RMIT School of Art Gallery, Melbourne VIC


Grants:2020 &#124; Create NSW Digitise Initiative Grant2020 &#124; Playking Grant2020 &#124; Sidney Myer National Assistance Program for the Arts2017 &#124; City of Moreland Individual Development Grant2015 &#124; City of Melbourne 2016 Arts Grant Recipient2015 &#124; Creative Victoria 2016 Arts Grants Recipient2015 &#124; Next Wave Festival 2016 Kickstart Artist 



Residencies:2026 &#124; Artist in Residence, Air Krems, Austria2022 &#124; AAF Expand Lab, Participant, Adelaide Film Festival, Adelaide SA
2022 &#124; RMIT Researcher in Residence, ACMI X, Melbourne VIC2019 &#124; Artist in Residence, Testing Grounds, Melbourne VIC2018 &#124; Artist in Residence, Testing Grounds, Melbourne VIC2014 &#124; Artist in Residence, Spring Resident, Chantilly Studios, Melbourne VIC


Collections:
ACMI
Artbank
Private Collections

Published:2025 &#124; DATA browser 9: Decentring Ethics: AI Art as Method, Book Chapter: Now You See Me...Institutional Conservatism and Censorship in Queer Remix Practice, peer reviewed, available online2024 &#124; Hello Dankness: Soda Jerk and Xanthe Dobbie in conversation, ACMI Online
2023 &#124; Runway Journal: GHOST, Edition 46, Guest Editor’s Call Out &#38;amp; Letter, digital journal 
 2022 &#124; Self As Other, Soapbox Essay, Arts Northern Rivers Online Publication2021 &#124; Classic Blue, Going Down Swinging, Online Edition 412020 &#124; Circle Jerk, Going Down Swinging, Online Journal2019 &#124; Xanthe Dobbie: Internet art to heal your queer heart, ACMI Online2018 &#124; Video Becomes Us, Episode: The Internet, Directed by Kate Blackmore, ABC iView2016 &#124; PLAYTHING Magazine, Emerging Writers Festival Issue2015 &#124; The Lifted Brow, Issue 252015 &#124; PLAYTHING Magazine, Issue 1 



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	<item>
		<title>More</title>
				
		<link>https://xanthedobbie.com/More</link>

		<pubDate>Thu, 01 Jul 2021 03:57:33 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/More</guid>

		<description>
&#38;nbsp; XANTHE DOBBIE

&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="EIDOLON @ SOH" data-caption="EIDOLON @ SOH" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Other Projects" data-caption="Other Projects" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Wallpaper Queens 2020" data-caption="Wallpaper Queens 2020" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="CADS @ Munch" data-caption="CADS @ Munch" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Conflict in My Outlook @ UQ" data-caption="Conflict in My Outlook @ UQ" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Classic Blue AR @ GDS #41" data-caption="Classic Blue AR @ GDS #41" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Circle Jerk Poem @ GDS" data-caption="Circle Jerk Poem @ GDS" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Xanthe Dobbie Film Site" data-caption="Xanthe Dobbie Film Site" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;
&#60;img width="513" height="542" width_o="513" height_o="542" data-src="https://freight.cargo.site/t/original/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" data-mid="113130424" border="0" alt="Cutting Queer Futures Exegesis" data-caption="Cutting Queer Futures Exegesis" src="https://freight.cargo.site/w/513/i/af1e05f46d1a276446decdccd7bb0aae387540bbf41b0db49ccda71ccdefbe0b/at.gif" /&#62;

</description>
		
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	<item>
		<title>MATRIX RE-LOADED 2023</title>
				
		<link>https://xanthedobbie.com/MATRIX-RE-LOADED-2023</link>

		<pubDate>Sun, 18 Feb 2024 05:54:59 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/MATRIX-RE-LOADED-2023</guid>

		<description>

&#60;img width="1920" height="400" width_o="1920" height_o="400" data-src="https://freight.cargo.site/t/original/i/b4c751d53249bc73bc4bf047c6ebd19330e8d86d04042d7546dd563b8af4d18f/MATRIX-RE-LOADED_blue.png" data-mid="204886853" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b4c751d53249bc73bc4bf047c6ebd19330e8d86d04042d7546dd563b8af4d18f/MATRIX-RE-LOADED_blue.png" /&#62;

(2023)

	
	&#60;img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/610c1aee042d975f539ad86e2d7b03232deb64871bc9c3fd23609f5e8838ba03/Loading-Wheel_small.gif" data-mid="204886942" border="0" data-no-zoom src="https://freight.cargo.site/w/300/i/610c1aee042d975f539ad86e2d7b03232deb64871bc9c3fd23609f5e8838ba03/Loading-Wheel_small.gif" /&#62;
	



















The future is now...but for how
long?  



In an exploration of their expansive practice, Xanthe
Dobbie re-spawns cyberfeminism to bring you On-Site: Matrix Re-loaded. 



As part of their ongoing research, Dobbie explores
historical and contemporary cyberfeminism through intersections of art,
technology, and pop culture. Matrix Re-loaded questions the now and
envisions new possibilities— the future of the digital age. In the largest
display of Dobbie’s work to date, shown alongside revitalised digital artworks
and artifacts from the ‘90s, this exhibition expands on and interrogates the narratives
we tell using and surrounding technology. 



Matrix Re-loaded includes works by Xanthe Dobbie, Linda Dement, VNS
Matrix and Runway Journal.&#38;nbsp; 









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Side Gallery featuring works by Xanthe Dobbie, photo: Sebastian Kainey 



&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/914a5c905d6fb9b2ca6d419a31a70bbce12a62f40555c71a1797d0627b428b36/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-21.jpg" data-mid="204886364" border="0"  src="https://freight.cargo.site/w/1000/i/914a5c905d6fb9b2ca6d419a31a70bbce12a62f40555c71a1797d0627b428b36/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-21.jpg" /&#62;
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Bonding Booth Gallery featuring works by VNS Matrix, photo: Sebastian Kainey 


&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/1ffd4cdf856637246f231767f1d43d28f0d52a42cea2b4366c479f7f6aa6cc5e/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-15.jpg" data-mid="204886359" border="0"  src="https://freight.cargo.site/w/1000/i/1ffd4cdf856637246f231767f1d43d28f0d52a42cea2b4366c479f7f6aa6cc5e/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-15.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/096d9c2b4a178f9e3c3da13acf9ece1dc0d5ec08ab20a927ff598158f78f8f76/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-16.jpg" data-mid="204886360" border="0"  src="https://freight.cargo.site/w/1000/i/096d9c2b4a178f9e3c3da13acf9ece1dc0d5ec08ab20a927ff598158f78f8f76/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-16.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/60caae34285a828ed761b9111225475b216b74dfa8868fd95191f25cff7406f4/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-17.jpg" data-mid="204886361" border="0"  src="https://freight.cargo.site/w/1000/i/60caae34285a828ed761b9111225475b216b74dfa8868fd95191f25cff7406f4/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-17.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/fa861b6c840b448fcd2a8a49d357d856aff857727af3a8cd20381f0a365e8c32/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-12.jpg" data-mid="204886356" border="0"  src="https://freight.cargo.site/w/1000/i/fa861b6c840b448fcd2a8a49d357d856aff857727af3a8cd20381f0a365e8c32/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-12.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/d98cf8026dfd0459599a6f48a3b38e478198159a981635654446d535d3c8fe16/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-1.jpg" data-mid="204886365" border="0"  src="https://freight.cargo.site/w/1000/i/d98cf8026dfd0459599a6f48a3b38e478198159a981635654446d535d3c8fe16/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-1.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/89ab1f9f168a9e60444abad73675946316f0ab3e9609ea4a18b1710f26a136ec/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-2.jpg" data-mid="204886366" border="0"  src="https://freight.cargo.site/w/1000/i/89ab1f9f168a9e60444abad73675946316f0ab3e9609ea4a18b1710f26a136ec/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-2.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/77fbfafe04b2e4c28e06a5b5bc1e531cf625ece6b00a60ec585c6ce9615852cd/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-3.jpg" data-mid="204886367" border="0"  src="https://freight.cargo.site/w/1000/i/77fbfafe04b2e4c28e06a5b5bc1e531cf625ece6b00a60ec585c6ce9615852cd/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-3.jpg" /&#62;
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/b289b265772928ce14fd044dcf6c3c07cb5ff320e5f58c093fde77eda3a3e738/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-4.jpg" data-mid="204886368" border="0"  src="https://freight.cargo.site/w/1000/i/b289b265772928ce14fd044dcf6c3c07cb5ff320e5f58c093fde77eda3a3e738/Installation-Image--Matrix-Re-Loaded--First-Site-Gallery--2023--Photo-by-Sebastian-Kainey-4.jpg" /&#62;
Main Gallery featuring works by Linda Dement and Runway Journal, photo: Sebastian Kainey 

 






</description>
		
	</item>
		
		
	<item>
		<title>FUTURE SEX-LOVE SOUNDS 2024</title>
				
		<link>https://xanthedobbie.com/FUTURE-SEX-LOVE-SOUNDS-2024</link>

		<pubDate>Sun, 18 Feb 2024 08:00:14 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/FUTURE-SEX-LOVE-SOUNDS-2024</guid>

		<description>

&#60;img width="1920" height="400" width_o="1920" height_o="400" data-src="https://freight.cargo.site/t/original/i/148b25a74d05135701fe150334568b904425d1c0a743f75d7b9e190e8bf72eb8/FUTURESEX_LOVESOUNDS-TITLE.png" data-mid="204888278" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/148b25a74d05135701fe150334568b904425d1c0a743f75d7b9e190e8bf72eb8/FUTURESEX_LOVESOUNDS-TITLE.png" /&#62;

(2024)

	
	&#60;img width="400" height="400" width_o="400" height_o="400" data-src="https://freight.cargo.site/t/original/i/e91d0f9bb94c3013bd3d186f1b0ee3b62d2a783161b7b53177ff4c308827c4ab/heartblu.gif" data-mid="204888287" border="0" data-no-zoom src="https://freight.cargo.site/w/400/i/e91d0f9bb94c3013bd3d186f1b0ee3b62d2a783161b7b53177ff4c308827c4ab/heartblu.gif" /&#62;
	

This work was first exhibited at UTS Gallery as part of Image, Interrupted, curated by Eleanor Zeichner












Xanthe Dobbie’s video work FutureSex/Love Sounds (2024), proposes a radical scenario in which AI technology is deployed for erotic revolution. Starting with the premise that we have already reached the techno future envisioned by Stanley Kubrick’s 2001: A Space Odyssey (1968) or of the Cyberfeminist Manifesto for the 21st Century (1991) by VNS Matrix, Dobbie asks, where are the sex robots? Deepfake versions of figures such as Morgan Freeman, Hilary Clinton and Cate Blanchett espouse the virtues of completely customisable sex robots that are responsive to any imaginable fantasy. The sex robots don’t just have erotic benefits — though this is ample, according to deepfake Queen Elizabeth II — they have also solved the climate crisis, established universal basic income and discovered intelligent life on other planets. In this version of the future, dating apps are no longer problematic and the arts ‘get so much funding’. Dobbie’s vision of post-labour hedonism, facilitated by the offshoring of societal problems to benevolent cyborgs, flips the anxiety that automation makes human intelligence redundant. Imagine if the machines could free us. 

- Eleanor Zeichner, Curator





&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/456edffbd6642add7300b2ce5688ae71ee88922ae16022cace7f34b16f1d5493/UTSArt_ImageInterrupted_2024_credit_JacquieManning-7.jpg" data-mid="204888054" border="0"  src="https://freight.cargo.site/w/1000/i/456edffbd6642add7300b2ce5688ae71ee88922ae16022cace7f34b16f1d5493/UTSArt_ImageInterrupted_2024_credit_JacquieManning-7.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/91904dcfdc328c8a1cdf6b3f1afeba2c00a97605bdb292ff289238cc03f3076e/UTSArt_ImageInterrupted_2024_credit_JacquieManning-11.jpg" data-mid="204888053" border="0"  src="https://freight.cargo.site/w/1000/i/91904dcfdc328c8a1cdf6b3f1afeba2c00a97605bdb292ff289238cc03f3076e/UTSArt_ImageInterrupted_2024_credit_JacquieManning-11.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/1e452c7a79749fbe61cbe8ceb7393501880cab162264e19c08856db73dcadfa4/UTSArt_ImageInterrupted_2024_credit_JacquieManning-10.jpg" data-mid="204888052" border="0"  src="https://freight.cargo.site/w/1000/i/1e452c7a79749fbe61cbe8ceb7393501880cab162264e19c08856db73dcadfa4/UTSArt_ImageInterrupted_2024_credit_JacquieManning-10.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/6ac251e9532b076eb5a1c0ce53622ec3d31aee26c51c0aa7f45035bca8b9abf6/UTSArt_ImageInterrupted_2024_credit_JacquieManning-9.jpg" data-mid="204888051" border="0"  src="https://freight.cargo.site/w/1000/i/6ac251e9532b076eb5a1c0ce53622ec3d31aee26c51c0aa7f45035bca8b9abf6/UTSArt_ImageInterrupted_2024_credit_JacquieManning-9.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/5883c3418f85e73f219cfb7888c9fbc68866f1f0fe39f9e7f98b8dffaf118ee4/UTSArt_ImageInterrupted_2024_credit_JacquieManning-8.jpg" data-mid="204888050" border="0"  src="https://freight.cargo.site/w/1000/i/5883c3418f85e73f219cfb7888c9fbc68866f1f0fe39f9e7f98b8dffaf118ee4/UTSArt_ImageInterrupted_2024_credit_JacquieManning-8.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/0c06891d426fe95112f81c010d1d406da36f9c4404aec19858521d4b8361d649/UTSArt_ImageInterrupted_2024_credit_JacquieManning-13.jpg" data-mid="204888049" border="0"  src="https://freight.cargo.site/w/1000/i/0c06891d426fe95112f81c010d1d406da36f9c4404aec19858521d4b8361d649/UTSArt_ImageInterrupted_2024_credit_JacquieManning-13.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/d036a01f4255371c9e315385f3ce8ac4c8e5b89ece5d0783140eb83ef9215ac5/UTSArt_ImageInterrupted_2024_credit_JacquieManning-12.jpg" data-mid="204888048" border="0"  src="https://freight.cargo.site/w/1000/i/d036a01f4255371c9e315385f3ce8ac4c8e5b89ece5d0783140eb83ef9215ac5/UTSArt_ImageInterrupted_2024_credit_JacquieManning-12.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/059fccf84a440b059e0515e3dd1005422d0f84a7f938938818e1da1786f07870/UTSArt_ImageInterrupted_2024_credit_JacquieManning-27.jpg" data-mid="204888047" border="0"  src="https://freight.cargo.site/w/1000/i/059fccf84a440b059e0515e3dd1005422d0f84a7f938938818e1da1786f07870/UTSArt_ImageInterrupted_2024_credit_JacquieManning-27.jpg" /&#62;
Install at UTS Gallery, photo: Jaquie Manning 




</description>
		
	</item>
		
		
	<item>
		<title>Cloud Copy (2021)</title>
				
		<link>https://xanthedobbie.com/Cloud-Copy-2021</link>

		<pubDate>Wed, 26 Jan 2022 00:28:34 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/Cloud-Copy-2021</guid>

		<description>
Cloud Copy

(2021)

	
	&#60;img width="320" height="480" width_o="320" height_o="480" data-src="https://freight.cargo.site/t/original/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" data-mid="131439344" border="0" data-scale="47" data-no-zoom src="https://freight.cargo.site/w/320/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" /&#62;
	&#60;img width="320" height="480" width_o="320" height_o="480" data-src="https://freight.cargo.site/t/original/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" data-mid="131439344" border="0" data-scale="47" data-no-zoom src="https://freight.cargo.site/w/320/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" /&#62;
	&#60;img width="320" height="480" width_o="320" height_o="480" data-src="https://freight.cargo.site/t/original/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" data-mid="131439344" border="0" data-scale="47" data-no-zoom src="https://freight.cargo.site/w/320/i/0bb11fda76406d431512b46836ab2683350c2f9a42c06e46cec0b6fe7fa8fe3e/cloud.gif" /&#62;
	


360 VR Installation, 4m,50s, Digitally Printed Wallpaper, Replica Eero Aarnio Hanging Bubble Chairs


&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d34e2af90fa909839f0743a7bf3b18954819e24da566d9cf4c2d10967c30eeaf/Don-t-Be-Evil-LR-13.jpg" data-mid="131437699" border="0"  src="https://freight.cargo.site/w/1000/i/d34e2af90fa909839f0743a7bf3b18954819e24da566d9cf4c2d10967c30eeaf/Don-t-Be-Evil-LR-13.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8df7cf90650f18220a0e38b4541b1f8520a0ba10480f193d0b6d04c99aba1670/Don-t-Be-Evil-LR-15.jpg" data-mid="131437700" border="0"  src="https://freight.cargo.site/w/1000/i/8df7cf90650f18220a0e38b4541b1f8520a0ba10480f193d0b6d04c99aba1670/Don-t-Be-Evil-LR-15.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/94730618e25d609343a8f30186c747cebccfb31309c7ad59a772d1f0b3021007/Don-t-Be-Evil-LR-14.jpg" data-mid="131437701" border="0"  src="https://freight.cargo.site/w/1000/i/94730618e25d609343a8f30186c747cebccfb31309c7ad59a772d1f0b3021007/Don-t-Be-Evil-LR-14.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/60f184b6c90bdd1b9a07714530d3478961bb555d9865a5fef7b9378fe3ee30ee/Don-t-Be-Evil-LR-12.jpg" data-mid="131437702" border="0"  src="https://freight.cargo.site/w/1000/i/60f184b6c90bdd1b9a07714530d3478961bb555d9865a5fef7b9378fe3ee30ee/Don-t-Be-Evil-LR-12.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/95612f3f1918a2606b84b795f8dfc5086bde94e28b4035380f521383677d6423/Don-t-Be-Evil-LR-20.jpg" data-mid="131437703" border="0" alt="Installation view at the UQ Art Museum" data-caption="Installation view at the UQ Art Museum" src="https://freight.cargo.site/w/1000/i/95612f3f1918a2606b84b795f8dfc5086bde94e28b4035380f521383677d6423/Don-t-Be-Evil-LR-20.jpg" /&#62;







































You’re part of something
greater now



Pulsing in the algorithm






Let your thoughts fragment
into a galaxy 



Of subreddits and subtweets
and subcultures



 
Welcome to sub-cultism 



Pick a faction



Don’t worry you can change
stream at any time



Simply navigate to a new
tab



Go deep



Deeper



This void is cavernous, begging
to be filled



STOP



Just there

You’re perfect







- - - - -
This work was originally developed for Conflict in My Outlook: Don’t Be Evil at UQ Art Museum, curated by Anna Briers.
PRESS
“Visitors first experienced Cloud Copy&#38;nbsp;by Xanthe Dobbie, an artist known for intricate digital collages, on an Oculus VR headset. The work stitches together fragments of internet content, engulfing the viewer in a claustrophobic world of corporate logos and pornography before ending with an explosion and the words “GAME OVER.” In employing purposefully banal aesthetics that mimic everyday software, Dobbie portrays the internet and its cloud of data as an all-encompassing quotidian dystopia, where “we are free to be our worst selves,” and set the tone for the rest of the show.” -&#38;nbsp;The Dystopia of Digital Banality in “Don’t Be Evil” BY KYLE WEISE&#38;nbsp;“In the VR experience of Xanthe Dobbie's Cloud Copy, where corporate logos representative of 'Big Tech' disruptors, such as Facebook and Google, float in the cosmos - as ubiquitous and all-knowing as God, answerable only to their own laws and gravitational will.” - DR JOSEPH BRENNAN“UQ Art Museum's latest free exhibition ponders the labour, data, infrastructure and all-round pervasiveness of our always-online world” - CONCRETE PLAYGROUND

 
 








</description>
		
	</item>
		
		
	<item>
		<title>REAL_THINGS (2021)</title>
				
		<link>https://xanthedobbie.com/REAL_THINGS-2021</link>

		<pubDate>Wed, 30 Jun 2021 01:52:32 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/REAL_THINGS-2021</guid>

		<description>
	
	
	


&#60;img width="733" height="109" width_o="733" height_o="109" data-src="https://freight.cargo.site/t/original/i/c997b09b05702d1a83b2db082696031f7091c457b5905ff3e48118e85ff1ffe2/REAL_THINGS_logo.png" data-mid="113337222" border="0" data-no-zoom src="https://freight.cargo.site/w/733/i/c997b09b05702d1a83b2db082696031f7091c457b5905ff3e48118e85ff1ffe2/REAL_THINGS_logo.png" /&#62;
(2021)
	
	&#60;img width="250" height="286" width_o="250" height_o="286" data-src="https://freight.cargo.site/t/original/i/6c301499c5e95289bc189a571a35a49f2083c5953280654b8a7e0fdb458d492b/robot-hand.gif" data-mid="113241429" border="0" data-no-zoom src="https://freight.cargo.site/w/250/i/6c301499c5e95289bc189a571a35a49f2083c5953280654b8a7e0fdb458d492b/robot-hand.gif" /&#62;
	


&#60;img width="935" height="834" width_o="935" height_o="834" data-src="https://freight.cargo.site/t/original/i/abf7ade01e91d037e7b733617976f2a3deb480e5215b43317b35e78b8b04fe26/Fig-1_Goddess-Result-Screen-Shot_Real_Things.png" data-mid="244391220" border="0"  src="https://freight.cargo.site/w/935/i/abf7ade01e91d037e7b733617976f2a3deb480e5215b43317b35e78b8b04fe26/Fig-1_Goddess-Result-Screen-Shot_Real_Things.png" /&#62;
&#60;img width="887" height="862" width_o="887" height_o="862" data-src="https://freight.cargo.site/t/original/i/a69cfb2c60f804634a0d75f1ad47d2de1237d73608dd830055dd31f08bfd9a70/AI-Avatar-Screen-Shot.png" data-mid="244391219" border="0"  src="https://freight.cargo.site/w/887/i/a69cfb2c60f804634a0d75f1ad47d2de1237d73608dd830055dd31f08bfd9a70/AI-Avatar-Screen-Shot.png" /&#62;
&#60;img width="887" height="830" width_o="887" height_o="830" data-src="https://freight.cargo.site/t/original/i/2d6d92383c6d2af02ff587e0cb581b29c8014a6abe6dd20a3458bc6284e813c6/Fig-2_Real_Things-Quiz-Screenshot.png" data-mid="244391221" border="0"  src="https://freight.cargo.site/w/887/i/2d6d92383c6d2af02ff587e0cb581b29c8014a6abe6dd20a3458bc6284e813c6/Fig-2_Real_Things-Quiz-Screenshot.png" /&#62;


Real_Things was commissioned by MUNCH Museum (Norway) for their Contemporary Arts Digital Shorts Program (CADS), and is conceived as a typical online quiz where your response to arbitrary questions decides your personality type. The data gathered by the companies offering the quiz is then used for targeted advertising. Real_Things invokes our seeming quest for answers and a sense of belonging by providing an alternative that leaves your data unmined but instead offers a downloadable artwork. Querying your choice of musician, artwork or sense of spirituality Real_Things determines whether you are a glitch, a goddess or other iconic online phenomena.
Curated by Vilde M. Horvei &#38;amp; Ilavenil Vasuky Jayapalan.
</description>
		
	</item>
		
		
	<item>
		<title>QUEER APOCALYPSE (2021)</title>
				
		<link>https://xanthedobbie.com/QUEER-APOCALYPSE-2021</link>

		<pubDate>Wed, 30 Jun 2021 03:07:59 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/QUEER-APOCALYPSE-2021</guid>

		<description>

&#60;img width="1920" height="800" width_o="1920" height_o="800" data-src="https://freight.cargo.site/t/original/i/da58cf85c6ac2939a1b1273e0ad5a5c83ebbe8f512da4d992340c37896cf54b5/Queer-Apocalypse_title.png" data-mid="112771938" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/da58cf85c6ac2939a1b1273e0ad5a5c83ebbe8f512da4d992340c37896cf54b5/Queer-Apocalypse_title.png" /&#62;


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&#60;img width="1080" height="721" width_o="1080" height_o="721" data-src="https://freight.cargo.site/t/original/i/639dac58e3e484d769faa7e3e4e03051aebd7a5cf02e10043fb0f7ff6746471e/Bundoora_Arts-Centre-Homestead-Exhibtion_2021_604.jpg" data-mid="112771935" border="0"  src="https://freight.cargo.site/w/1000/i/639dac58e3e484d769faa7e3e4e03051aebd7a5cf02e10043fb0f7ff6746471e/Bundoora_Arts-Centre-Homestead-Exhibtion_2021_604.jpg" /&#62;


This work was developed for The Mulitverse at Bundoora Homestead.
Curated by Charlotte Christie.
 

	
	&#60;img width="273" height="442" width_o="273" height_o="442" data-src="https://freight.cargo.site/t/original/i/77618ca70a01e807f3018fbf98e44ffb455f867bef925b6958f22a9e75cccf64/horse.gif" data-mid="113241463" border="0" data-scale="64" data-no-zoom src="https://freight.cargo.site/w/273/i/77618ca70a01e807f3018fbf98e44ffb455f867bef925b6958f22a9e75cccf64/horse.gif" /&#62;
	

&#38;nbsp;View the ONLINE EXHIBITION here&#38;nbsp;

STILL LIFE TRIPTYCH
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	<item>
		<title>PLEASUREDOME (2020/21)</title>
				
		<link>https://xanthedobbie.com/PLEASUREDOME-2020-21</link>

		<pubDate>Tue, 30 Mar 2021 04:40:08 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/PLEASUREDOME-2020-21</guid>

		<description>
	
	
	

&#60;img width="1920" height="500" width_o="1920" height_o="500" data-src="https://freight.cargo.site/t/original/i/e88fdcb5f61df8ba8a6ce35a831e897caa461311c8849b6cd716d749294294b1/PLEASUREDOME_TITLE.png" data-mid="112771946" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e88fdcb5f61df8ba8a6ce35a831e897caa461311c8849b6cd716d749294294b1/PLEASUREDOME_TITLE.png" /&#62;
(2020/2021)

	
	&#60;img width="480" height="480" width_o="480" height_o="480" data-src="https://freight.cargo.site/t/original/i/d5bf21a51d3452ca6f220a4bbbd807878d05c22e3a1f25950ea23589b61b4b36/rollerskate.gif" data-mid="113241933" border="0" data-no-zoom src="https://freight.cargo.site/w/480/i/d5bf21a51d3452ca6f220a4bbbd807878d05c22e3a1f25950ea23589b61b4b36/rollerskate.gif" /&#62;
	
By Xanthe Dobbie and Harriet Gillies in collaboration with Solomon Thomas and Marcus Whale.Desktop Performance (55 mins)

&#60;img width="1361" height="825" width_o="1361" height_o="825" data-src="https://freight.cargo.site/t/original/i/5565c90997cf79e06cb7d7dcf9200f00c72cf1ca7a7a8c3d35726ee1133c4d20/Act-1-Screengrab-1.png" data-mid="113421772" border="0"  src="https://freight.cargo.site/w/1000/i/5565c90997cf79e06cb7d7dcf9200f00c72cf1ca7a7a8c3d35726ee1133c4d20/Act-1-Screengrab-1.png" /&#62;
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&#60;img width="1359" height="819" width_o="1359" height_o="819" data-src="https://freight.cargo.site/t/original/i/d8489ec441e9946a9b19773efaf58a941cb80befd130cdc1132e1a36feeb1c64/Act-2-Screengrab-2.png" data-mid="113421774" border="0"  src="https://freight.cargo.site/w/1000/i/d8489ec441e9946a9b19773efaf58a941cb80befd130cdc1132e1a36feeb1c64/Act-2-Screengrab-2.png" /&#62;
An interactive, online-only livestreamed theatre experience, tearing apart the internet as it is and rebuilding it as the Xanadu wonderland envisioned by philosopher and internet pioneer Ted Nelson.In 1965, Nelson imagined a radical version of the internet that would help human life evolve into an entirely new form. He also invented the internet-connected dildo. Flash forward 55 years: the internet is 20% porn, 20% cat videos and the rest is targeted advertising from Wish.com.You can’t help but wonder if 83 year old Ted knew what we were getting ourselves into. Award-winning performance artist Harriet Gillies and new media artist and filmmaker Xanthe Dobbie, whose work draws on humour, pop, sex, history and iconography through a queer and feminist lens, need your help to reinvent the internet as the utopia Nelson intended.



Created and Performed by Xanthe Dobbie and Harriet Gillies. 

Digital Collaborator Solomon ThomasLive Composer Marcus WhaleDramaturg Declan Greene
Originally developed for Griffin Lock In (2020). Re-developed and presented at Sydney Festival (2021) for Griffin Theatre Company.

Performed on Youtube, Twitch and Chaturbate. 

SMH Nude cams and drama in the park: a fresh perspective on theatre:

“Griffin Theatre Company has embraced less traditional theatrical experiences for its 2021 season, including a work performed live over a nude camming website, an online platform by which people perform paid sex acts.”

“The strictly adults-only play, Pleasuredome&#38;nbsp;was created for Griffin during the lockdown.&#38;nbsp;In the 24 hours it was online it racked up thousands of views prompting its revival for a limited season as part of the Sydney Festival.”

SMH Pandemic's digital pivot a boon for creative storytellers:

“The genesis of the show came when Gillies and co-creator Dobbie read about Ted Nelson, the inventor of hypertext, who also coined the term “teledildonics”, the science of internet-assisted sex toys that allow for remote touch between partners.

“We thought this was a really good seed to plant in a time when everyone was feeling quite isolated,” says Gillies. “I think we’re still in the throes of a longer-term reaction to the lack of touch that we now have in our social experiences.” 


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	<item>
		<title>ELAGABALUS (2020)</title>
				
		<link>https://xanthedobbie.com/ELAGABALUS-2020</link>

		<pubDate>Tue, 30 Mar 2021 03:58:01 +0000</pubDate>

		<dc:creator>Xanthe Dobbie</dc:creator>

		<guid isPermaLink="true">https://xanthedobbie.com/ELAGABALUS-2020</guid>

		<description>&#60;img width="1920" height="500" width_o="1920" height_o="500" data-src="https://freight.cargo.site/t/original/i/af1422a09be89896003a21643d7261c2c1374a5ea9c876b167860df6767b720a/1_Elagabalus-copy.png" data-mid="113245216" border="0"  src="https://freight.cargo.site/w/1000/i/af1422a09be89896003a21643d7261c2c1374a5ea9c876b167860df6767b720a/1_Elagabalus-copy.png" /&#62;
	
	&#60;img width="480" height="456" width_o="480" height_o="456" data-src="https://freight.cargo.site/t/original/i/73c1e957d98747a3d25a99664b67f76a7018f7179b4cda806330f5208e671b6f/rose.gif" data-mid="113244112" border="0" data-scale="80" src="https://freight.cargo.site/w/480/i/73c1e957d98747a3d25a99664b67f76a7018f7179b4cda806330f5208e671b6f/rose.gif" /&#62;
	



(Short Film, 17 minutes, 2020)




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CREDITS:

Edited and Directed by Xanthe Dobbie
Produced by Alexis Talbot Smith
Story by Xanthe Dobbie and Samuel Herriman
Written by Samuel Herriman
Original Composition by Jorde Heys
Cinematography by Sidat de Silva 
Sound Design by Rowan Yeomans
Set Design by Max Boutwell Draper &#38;amp; Lily Bennett
Costumes by Will Tran
Make Up by Jade Diaz

Starring Nyx Calder, Helen Stuart, Alex Stylianou, Emily Trueman, Mark Paguio, Tom Crotty, Tommy Misa &#38;amp; Lenny Mickelo

Developed as part of the Masters of Arts Screen Program at AFTRS

&#60;img width="1920" height="700" width_o="1920" height_o="700" data-src="https://freight.cargo.site/t/original/i/3b74b28c6a5cb1ebf8f0c5d261cde626d02595e24be580724947977eb20d9f02/laurels-copy-2.png" data-mid="113119870" border="0"  src="https://freight.cargo.site/w/1000/i/3b74b28c6a5cb1ebf8f0c5d261cde626d02595e24be580724947977eb20d9f02/laurels-copy-2.png" /&#62;
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